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Exodus 25:11

Context
25:11 You are to overlay 1  it with pure gold – both inside and outside you must overlay it, 2  and you are to make a surrounding border 3  of gold over it.

Exodus 25:13

Context
25:13 You are to make poles of acacia wood, overlay them with gold,

Exodus 30:5

Context
30:5 You are to make the poles of acacia wood and overlay them with gold.

Exodus 26:29

Context
26:29 You are to overlay the frames with gold and make their rings of gold to provide places for the bars, and you are to overlay the bars with gold.

Exodus 25:24

Context
25:24 You are to overlay it with 4  pure gold, and you are to make a surrounding border of gold for it.

Exodus 27:6

Context
27:6 You are to make poles for the altar, poles of acacia wood, and you are to overlay them with bronze.

Exodus 25:28

Context
25:28 You are to make the poles of acacia wood and overlay them with gold, so that the table may be carried with them. 5 

Exodus 27:2

Context
27:2 You are to make its four horns 6  on its four corners; its horns will be part of it, 7  and you are to overlay it with bronze.

Exodus 30:3

Context
30:3 You are to overlay it with pure gold – its top, 8  its four walls, 9  and its horns – and make a surrounding border of gold for it. 10 

Exodus 26:37

Context
26:37 You are to make for the hanging five posts of acacia wood and overlay them with gold, and their hooks will be 11  gold, and you are to cast five bronze bases for them. 12 

1 tn The verbs throughout here are perfect tenses with the vav (ו) consecutives. They are equal to the imperfect tense of instruction and/or injunction.

2 tn Here the verb is an imperfect tense; for the perfect sequence to work the verb would have to be at the front of the clause.

3 tn The word זֵר (zer) is used only in Exodus and seems to describe something on the order of a crown molding, an ornamental border running at the top of the chest on all four sides. There is no indication of its appearance or function.

4 tn “Gold” is an adverbial accusative of material.

5 tn The verb is a Niphal perfect with vav consecutive, showing here the intended result: “so that [the table] might be lifted up [by them].” The noun “the table” is introduced by what looks like the sign of the accusative, but here it serves to introduce or emphasize the nominative (see GKC 365 §117.i).

6 sn The horns of the altar were indispensable – they were the most sacred part. Blood was put on them; fugitives could cling to them, and the priests would grab the horns of the little altar when making intercessory prayer. They signified power, as horns on an animal did in the wild (and so the word was used for kings as well). The horns may also represent the sacrificial animals killed on the altar.

7 sn The text, as before, uses the prepositional phrase “from it” or “part of it” to say that the horns will be part of the altar – of the same piece as the altar. They were not to be made separately and then attached, but made at the end of the boards used to build the altar (U. Cassuto, Exodus, 363).

8 tn Heb “roof.”

9 tn Heb “its walls around.”

10 tn Heb “and make for it border gold around.” The verb is a consecutive perfect. See Exod 25:11, where the ark also has such a molding.

11 tn “will be” has been supplied.

12 sn In all the details of this chapter the expositor should pay attention to the overall message rather than engage in speculation concerning the symbolism of the details. It is, after all, the divine instruction for the preparation of the dwelling place for Yahweh. The point could be said this way: The dwelling place of Yahweh must be prepared in accordance with, and by the power of, his divine word. If God was to fellowship with his people, then the center of worship had to be made to his specifications, which were in harmony with his nature. Everything was functional for the approach to God through the ritual by divine provisions. But everything also reflected the nature of God, the symmetry, the order, the pure wood, the gold overlay, or (closer to God) the solid gold. And the symbolism of the light, the table, the veil, the cherubim – all of it was revelatory. All of it reflected the reality in heaven. Churches today do not retain the pattern and furnishings of the old tabernacle. However, they would do well to learn what God was requiring of Israel, so that their structures are planned in accordance with the theology of worship and the theology of access to God. Function is a big part, but symbolism and revelation instruct the planning of everything to be used. Christians live in the light of the fulfillment of Christ, and so they know the realities that the old foreshadowed. While a building is not necessary for worship (just as Israel worshiped in places other than the sanctuary), it is practical, and if there is going to be one, then the most should be made of it in the teaching and worshiping of the assembly. This chapter, then, provides an inspiration for believers on preparing a functional, symbolical, ordered place of worship that is in harmony with the word of God. And there is much to be said for making it as beautiful and uplifting as is possible – as a gift of freewill offering to God. Of course, the most important part of preparing a place of worship is the preparing of the heart. Worship, to be acceptable to God, must be in Christ. He said that when the temple was destroyed he would raise it up in three days. While he referred to his own body, he also alluded to the temple by the figure. When they put Jesus to death, they were destroying the temple; at his resurrection he would indeed begin a new form of worship. He is the tent, the curtain, the atonement, that the sanctuary foreshadowed. And then, believers also (when they receive Christ) become the temple of the Lord. So the NT will take the imagery and teaching of this chapter in a number of useful ways that call for more study. This does not, however, involve allegorization of the individual tabernacle parts.



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