Discovery Box1 Chronicles 18:8 
Context18:8 From Tibhath 1 and Kun, 2 Hadadezer’s cities, David took a great deal of bronze. (Solomon used it to make the big bronze basin called “The Sea,” 3 the pillars, and other bronze items.
1 Chronicles 23:13
Context23:13 The sons of Amram:
Aaron and Moses.
Aaron and his descendants were chosen on a permanent basis to consecrate the most holy items, to offer sacrifices before the Lord, to serve him, and to praise his name. 4
1 Chronicles 26:26
Context26:26 Shelomith 5 and his relatives were in charge of all the storehouses containing the consecrated items dedicated by King David, the family leaders who led units of a thousand and a hundred, and the army officers.
1 Chronicles 28:12-13
Context28:12 He gave him 6 the blueprints of all he envisioned 7 for the courts of the Lord’s temple, all the surrounding rooms, the storehouses of God’s temple, and the storehouses for the holy items.
28:13 He gave him the regulations 8 for the divisions of priests and Levites, for all the assigned responsibilities within the Lord’s temple, and for all the items used in the service of the Lord’s temple.
1 tn The MT reads “Tibhath” here, a variant name for Tebah (cf. 2 Sam 8:8). Some English translations substitute the other version of the name here (e.g., NIV, NLT), while others follow the reading of the Hebrew text at this point (e.g., NAB, NASB, NRSV).
2 tn The parallel text of 2 Sam 8:8 has the variant name “Berothai.”
3 tn Heb “the sea of bronze,” or “[the] sea, the bronze one.” See the note at 1 Kgs 7:23.
4 tn Heb “and Aaron was set apart to consecrate it, the most holy things, he and his sons, permanently, to sacrifice before the
5 tc The MT reads “Shelomoth”; the name is spelled “Shelomith” in the marginal reading (Qere) of v. 25.
6 tn The words “he gave him” are supplied in the translation for clarity and for stylistic reasons.
7 tn Heb “the pattern of all which was in the spirit with him.”
8 tn The words “he gave him the regulations” are supplied in the translation for clarity and for stylistic reasons.
