He engraved ornamental cherubs, lions, and palm trees on the plates of the supports and frames wherever there was room, ¹  with wreaths ²  all around.

Inscribe them on the doorframes of your houses and gates. ¹ 

Inscribe them on the doorframes of your houses and on your gates

The four wheels were under the frames and the crossbars of the axles were connected to the stand. Each wheel was two and one-quarter feet ¹  high.

and the fourth row, a chrysolite, an onyx, and a jasper. ¹  They are to be enclosed in gold in their filigree settings.

and the fourth row, a chrysolite, an onyx, and a jasper. They were enclosed in gold filigree settings.

The sound of their voices shook the door frames, ¹  and the temple was filled with smoke.

So I went down to the potter’s house and found him working ¹  at his wheel. ² 

The doorposts of the outer sanctuary were square. In front of the sanctuary one doorpost looked just like the other.

and two braided chains of pure gold, like a cord, and attach the chains to the settings.

the other ¹  two ends of the two chains you will attach to the two settings and then attach them ²  to the shoulder pieces of the ephod at the front of it.

They set the onyx stones in gold filigree settings, engraved as with the engravings of a seal ¹  with the names of the sons of Israel. ² 

and they made two gold filigree settings and two gold rings, and they attached the two rings to the upper ¹  two ends of the breastpiece.

He overlaid the temple’s rafters, thresholds, walls and doors with gold; he carved decorative cherubim on the walls.

There were narrow windows and decorative palm trees on either side of the side walls of the porch; this is what the side chambers of the temple and the canopies were like.

They will take some of the blood and put it on the two side posts and top of the doorframe of the houses where they will eat it.

You are to engrave the two stones with the names of the sons of Israel with the work of an engraver in stone, like the engravings of a seal; ¹  you are to have them set ²  in gold filigree ³  settings.

The one hundred talents of silver were used for casting the bases of the sanctuary and the bases of the special curtain – one hundred bases for one hundred talents, one talent per base.

the other ¹  two ends of the two chains they attached to the two settings, and they attached them to the shoulder pieces of the ephod at the front of it.

Inside the stand was a round opening that was a foot-and-a-half deep; it had a support that was two and one-quarter feet long. ¹  On the edge of the opening were carvings in square frames. ²