¹ tn Heb “after [are] the stringed instrument players.”

⁴ tn Heb “For the leader, on my stringed instruments.”

² tn Heb “and music [or perhaps, “stringed instruments”] we will play.”

³ sn The stringed instruments mentioned here are probably harps (cf. NIV, NRSV) or lutes (cf. NEB).

³ tn Heb “from the palaces of ivory stringed instrument[s] make you happy.”

¹ tn The term used refers to one who plays a stringed instrument, perhaps a harp.

² tn Two types of stringed instruments are specifically mentioned, the כִּנּוֹר (kinnor, “zither” [?]), and נֶבֶל (nevel, “harp”).

² tn Heb “with tambourines, with joy, and with three-stringed instruments.”

¹ tn Two types of stringed instruments are specifically mentioned in the Hebrew text, the כִּנּוֹר (kinnor, “zither”) and נֶבֶל (nevel, “harp”).

² tn Two types of stringed instruments are specifically mentioned in the Hebrew text, the כִּנּוֹר (kinnor, “zither”) and נֶבֶל (nevel, “harp”).

¹ tn Heb “therefore you will not have one who strings out a measuring line by lot in the assembly of the Lord.”

² tn Following the future-time-referent participle (מְפַתֶּיהָ, méfatteha), there is a string of perfects introduced by vav consecutive that refer to future events.

² tn Heb “with songs and with zithers [meaning uncertain] and with harps.” Due to the collocation with “harps,” some type of stringed instrument is probably in view.

¹ tn The form וּמְצָא (um^etsaʾ, “find”) is the imperative but it functions as a purpose/result statement. Following a string of imperatives (v. 3), the imperative with a prefixed vav introduces a volitive sequence expressing purpose or result (v. 4).

³ tn Heb “his bow he has stepped [on] and prepared it.” “Treading the bow” involved stepping on one end of it in order to bend and string it and thus prepare it for battle. The verbs are a perfect and a preterite, thus referring to past action.

² tn The idea may include putting Leviathan on a leash. D. W. Thomas suggested on the basis of an Arabic cognate that it could be rendered “tie him with a string like a young sparrow” (“Job XL 29b: Text and Translation,” VT 14 [1964]: 114-16).

⁵ tn The Qal infinitive absolute נָצוֹר (natsor, from נָצַר [natsar], “to guard”) is used in an imperatival sense as the following string of imperatives suggests. The imperatival use of the infinitive absolute is often used to introduce a series of imperatives with special urgency (e.g., Deut 1:16; 2 Sam 24:12; 2 Kgs 5:10). See IBHS 593-94 §35.5.1; R. J. Williams, Hebrew Syntax, 42, §211.

¹ tc The text and consequent meaning of these first two lines are uncertain. The Masoretic reads literally, “Against let him string. Let him string, the one who strings his bow, and against let him raise himself up in his coat of armor.” This makes absolutely no sense, and the ancient versions and Hebrew mss did not agree in reading this same text. Many Hebrew mss and all the versions, as well as the Masoretes themselves (the text is left unpointed with a marginal note not to read it), delete the second “let him string.” The LXX (or Greek version) left out the words “against” at the beginning of the first two lines. It reads, “Let the archer bend his bow, and let the one who has armor put it on.” The Lucianic recension of the LXX and some Targum mss supplied the missing object “it” and thus read, “Let the archer ready his bow against it, and let him array himself against it in his coat of mail.” This makes good sense but does not answer the question of why the Hebrew text left off the suffix on the preposition twice in a row. Many Hebrew mss and the Syriac, Targum, and Vulgate (the Latin version) change the pointing of “against” (אֶל [ʾel]) to “not” (אַל [ʾal]) and thus read, “Let the archer not string the bow, and let him not array himself in his armor.” However, many commentators feel that this does not fit the context because it would apparently be addressed to the Babylonians, not the enemy, which would create a sudden shift in addressee with the second half of the verse. However, if it is understood in the sense taken here, it refers to the enemy not allowing the Babylonian archers to get ready for the battle, i.e., a surprise attack. This sense is suggested as an alternative in J. Bright, Jeremiah (AB), 346, n. u-u, and J. A. Thompson, Jeremiah (NICOT), 747, n. 5, and is the interpretation adopted in TEV, and probably also in NIrV.

² tn The noun נְגִינָה (n^eginah) is a musical term: (1) “music” played on strings (Isa 38:20; Lam 5:14), (2) a technical musical term (Pss 4:1; 6:1; 54:1; 55:1; 67:1; 76:1; Hab 3:19) and (3) a “mocking song” (Pss 69:13; 77:7; Job 30:9; Lam 3:14). The parallelism with שְׂחֹק (s^ekhoq, “laughingstock”) indicates that the latter category of meaning is in view.

¹ tn Heb “bent His bow.” When the verb דָּרַךְ (darakh) is used with the noun קֶשֶׁת (qeshet, “archer-bow”), it means “to bend [a bow]” to string it in preparation for shooting arrows (1 Chr 5:18; 8:40; 2 Chr 14:7; Jer 50:14, 29; 51:3). This idiom is used figuratively to describe the assaults of the wicked (Pss 11:2; 37:14) and the judgments of the Lord (Ps 7:13; Lam 2:4; 3:12) (BDB 202 s.v. דָּרַךְ 4). The translation “he prepared his bow” is the slightly more general modern English idiomatic equivalent of the ancient Hebrew idiom “he bent his bow”—both refer to preparations to get ready to shoot arrows.