² tn Alternately, “rises” or “looks forth.” Delitzsch renders הַנִּשְׁקָפָה (hannishqafah) as “who rises,” while NIV opts for “who appears.” The verb means “to look down upon [something] from a height” and is derived from the related noun “ceiling, roof, sky” (BDB 1054 s.v. שָׁקַף; HALOT 1645 s.v. שׁקף). The verb is used of looking down over a plain or valley from the vantage point of a mountain-top (Num 21:20; 23:28; 1 Sam 13:18); of God looking down from heaven (Ps 14:2); or of a person looking down below out of an upper window (Judg 5:28; 2 Sam 6:16; Prov 7:6). M. H. Pope (The Song of Songs [AB], 571-72) suggests that this verb implies the idea of her superiority over the other women, that is, she occupies a “higher” position over them due to his choice of her. But another interpretation is possible: The verb creates personification (i.e., the dawn is attributed with the human action of looking). Just as the dawn is the focus of attention during the morning hours and looks down upon the earth, so too she is the focus of his attention and is in the privileged position over all the other women.

¹ tn Heb “a fountain of gardens” or “a headwaters for gardens.” The term מַעְיַן (maʿyan, “fountain”) denotes “source, headwaters” as the place of origin of streams (HALOT 612 s.v. מַעְיַן). The term does not refer to a water fountain such as commonly found in modern cultivated gardens or parks; rather, it refers to the headwaters of streams and rivers, such as the headwaters of the Jordan. The genitive construct מַעְיַן גַּנִּים (maʿyan gannim, “a fountain of gardens”) is an unusual expression that has been treated in various ways: (1) “a garden fountain,” that is, a fountain located in a garden (HALOT 198 s.v. גַּן); (2) “a fountain of gardens,” that is, the headwaters of many spring-watered gardens. The latter is preferred. In Song 4:12-14 the bride is figuratively described as a garden with exotic plants; however, in 4:15 the metaphor shifts to the source of the water for the garden: מַעְיַן (“headwaters”) and בְּאֵר (b^eʾer, “well”) of fresh water flowing down from Lebanon.

⁷ tn Heb “Open to me!” Alternately, “Let me in!” The imperatival form of פִּתְחִי (pitkhi, “to open”) connotes a polite, but earnest request. The verb פָּתַח (patakh) refers to the action of opening various objects, e.g., sack (Gen 42:27), skin bottle (Judg 4:19), hamper (Exod 2:6), pit (Exod 21:33), mouth of a cave (Josh 10:22), grave (Ezek 37:12, 13), city gates (Neh 13:19; Isa 45:1), gate of a land (Nah 3:13), window (2 Kgs 13:17). When used with the accusative דֶּלֶת (delet, “door”), it refers to opening a door (e.g., Judg 3:25; 19:27; 1 Sam 3:15; 2 Kgs 9:3, 10; 2 Chr 29:3; Job 31:32) (HALOT 986-87 s.v. פתח; BDB 835 s.v. פָּתַח). Although the object דֶּלֶת (“door”) is here omitted, a bedroom door is clearly in mind in 5:2, as indicated by the collocated verb דָּפַק (dafaq, “to knock on a door”) in the preceding line. Translators have often rendered this line woodenly: “Open to me!” (KJV, NASB, NIV); however, NJPS nuances it well: “Let me in!”

⁴ sn There is debate about the reason why the woman brought her beloved to her mother’s house. Campbell notes that the mother’s house is sometimes referred to as the place where marital plans were made (Gen 24:28; Ruth 1:8). Some suggest, then, that the woman here was unusually bold and took the lead in proposing marriage plans with her beloved. This approach emphasizes that the marriage plans in 3:4 are followed by the royal wedding procession (3:6-11) and the wedding night (4:1-5:1). On the other hand, others suggest that the parallelism of “house of my mother” and “chamber of she who conceived me” focuses on the bedroom of her mother’s house. Fields suggests that her desire was to make love to her beloved in the very bedroom chambers where she herself was conceived, to complete the cycle of life/love. If this is the idea, it would provide a striking parallel to a similar picture in 8:5 in which the woman exults that they had made love in the very location where her beloved had been conceived: “Under the apple tree I aroused you; it was there your mother conceived you, there she who bore you conceived you.”

⁶ tn Heb “but I did not find him.” The verb מָצָא (matsaʾ, “to find”) normally describes discovering the whereabouts of something/someone who is lost or whose presence is not known. It is clear in 3:1 that the Beloved was not taking a physically active role in looking all around for him because she stayed in her bed all night long during this time. Therefore, the verb מָצָא (“to find”) must be nuanced metonymically in terms of him appearing to her. It does not denote “finding” him physically, but visually; that is, if and when he would arrive at her bedside, she would “find” him. This might allude to her request in 2:17 for him to rendezvous with her to make love to her all night long (“until the day breathes and the shadows flee”). Despite the fact that she was waiting for him all night long, he never appeared (3:1). The verb מָצָא (“to find”) is repeated four times in 3:1-4, paralleling the four-fold repetition of בָּקַשׁ (baqash, “to seek”). This antithetical word-pair creates a strong and dramatic contrast.

² tn The exact meaning of סֹב (sov, Qal imperative second person masculine singular from סָבַב, savav, “to turn”) in this context is uncertain. The imperatival form may be classified as an invitation. HALOT notes that סָבַב (“to turn”) occasionally denotes “to sit [lie] at a table” (1 Sam 16:11; Sir 9:9) and suggests that this is a figurative use of this nuance (HALOT 739 s.v. סבב 2c). The Beloved would be issuing an invitation to him to “turn aside to sit” at her table, that is, to enjoy the delights of her love. On the other hand, סֹב (“Turn!”) may simply be a synonym for the following parallel imperative דְּמֵה (d^emeh, “Be like!”), that is, “turn, change” (HALOT 224 s.v. דָּם). In keeping with the extended simile in which the Beloved compares him to a gazelle or stag leaping upon the mountains, the term סֹב may simply denote “turn oneself around, change direction” (HALOT 739 s.v. 1). Rather than leaping somewhere else, so to speak, she invites him to leap upon the “mountain gorges.”

² tn Heb “meadow-saffron” or “crocus.” The noun חֲבַצֶּלֶת (khavatselet) traditionally has been translated “rose” (KJV, NKJV, ASV, NASB, RSV, NRSV, NIV, NJPS, NLT, CEV); however, recent translations suggest “crocus” (NIV margin, NJPS margin), “narcissus” (DBY) or simply “flower” (DRA, NAB). The LXX translated it with the generic term ἀνθος (anthos, “flower, blossom”). Early English translators knew that it referred to some kind of flower but were unsure exactly which type, so they arbitrarily chose “rose” because it was a well-known and beautiful flower. In the light of comparative Semitics, modern Hebrew lexicographers have settled on “asphodel,” “meadow-saffron,” “narcissus,” or “crocus” (BDB 287 s.v. חֲבַצֶּלֶת; HALOT 287 s.v. חֲבַצֶּלֶת; DCH 3:153 s.v. חֲבַצֶּלֶת). The Hebrew term is related to Syriac hamsalaita (“meadow saffron”) and Akkadian habasillatu (“flower-stalk, marsh plant, reed”). Lexicographers and botanists suggest that the Hebrew term refers to Ashodelos (lily family), Narcissus tazetta (narcissus or daffodil), or Colchicum autumnale (meadow-saffron or crocus). The location of this flower in Sharon suggests that a common wild flower would be more likely than a rose. The term appears elsewhere only in Isa 35:1 where it refers to some kind of desert flower—erroneously translated “rose” (KJV, NJPS) but probably “crocus” (NASB, NIV, NJPS margin). Appropriately, the rustic maiden who grew up in the simplicity of rural life compares herself to a simple, common flower of the field (M. H. Pope, Song of Songs [AB], 367).

² tn Alternately, “thorn bushes.” The term הַחוֹחִים (hahokhim) is probably derived from חוֹח (khokh, “thorn-bush, briars, thistles, thorns”; HALOT 296 s.v. I חוֹחַ; BDB 296 s.v. חוֹחַ) rather than חוֹח (khokh, “crevice”; HALOT 296 s.v. II חוֹחַ): “Like a lily among the thorns” rather than “Like a lily among the rock crevices.” The picture is of a beautiful flower growing in the midst of thorn bushes (1 Sam 14:11; 2 Kgs 14:9; 2 Chr 25:18; Job 31:40; Prov 26:9; Isa 34:13; Hos 9:6) rather than a beautiful flower growing in the midst of rocky outcroppings (1 Sam 13:6; 2 Chr 33:11). The Hebrew term is related to Akkadian hahu and haiahu “thorn” and hahinnu “thorny plants” (AHw 1:308) and Aramaic hahhu (HALOT 296). The “thorn bush” is a thistle plant (Poterium spinosum) which has prickly spines covered with thistles, but also sprouts beautiful small red flowers (Fauna and Flora of the Bible, 184-85).

² tn Heb “May he kiss me….” The shift from third person masculine singular forms (“he” and “his”) in 1:2a to second person masculine singular forms (“your”) in 1:2b-4 has led some to suggest that the Beloved addresses the Friends in 1:2a and then her Lover in 1:2b-4. A better solution is that the shift from the third person masculine singular to second person masculine singular forms is an example of heterosis of person: a poetic device in which the grammatical person shifts from line to line (M. H. Pope, Song of Songs [AB], 297). The third person is put for the second person (e.g, Gen 49:4; Deut 32:15; Ps 23:2-5; Isa 1:29; 42:20; 54:1; Jer 22:24; Amos 4:1; Micah 7:19; Lam 3:1; Song 4:2; 6:6) (E. W. Bullinger, Figures of Speech, 524-25). Similar shifts occur in ancient Near Eastern love literature (cf. S. N. Kramer, The Sacred Marriage Rite, 92, 99). Most translations render 1:2 literally and preserve the shifts from third person masculine singular to second person masculine singular forms (KJV, AV, NASB, NIV); others render 1:2 with second person masculine singular forms throughout (RSV, NJPS).

⁸ tn In the construct phrase בֵּית עוֹלָמוֹ (bet ʿolamo, “house of his eternity”), the genitive עוֹלָמוֹ (“eternity”) functions as an attributive adjective: “his eternal home.” This is an idiom for the grave as the resting place of the body (e.g., Ps 49:12 [11]; Job 7:9; 14:10-12; Eccl 12:5) or Sheol as the residence of the dead (e.g., Job 17:13; 30:23); see HALOT 124 s.v. I בַּיִת 2; 799 (5); BDB 109 s.v. בַּיִת 1.d. For example, the term בֵּית (“house”) is used in Job 30:23 in parallelism with “death” (מָוֶת, mavet). The same idiom appears in postbiblical Hebrew: “the house of eternity” (בֵּית עוֹלָם, bet ʿolam) is a euphemism for a burial ground or cemetery (e.g., Lamentations Rabbah 1:5); see Jastrow 1084-85 s.v. עָלַם III. This idiom is also found in a Moabite text in reference to the grave (Deir Alla Inscription 2:6). A similar idiom is found in Phoenician and Palmyrene in reference to the grave (DISO 35). The idiom appears to have originated in Egyptian literature (H. A. Hoffner, TDOT 2:113). See F. Cumont, Afterlife in Roman Paganism, 48-50.

² tn The phrase “seven or eight” is a graded numerical saying depicting an indefinite plurality: “The collocation of a numeral with the next above it is a rhetorical device employed in numerical sayings to express a number, which need not, or cannot, be more exactly specified. It must be gathered from the context whether such formulae are intended to denote only an insignificant number (e.g., Is 17:6 “two” or at the most “three”) or a considerable number (e.g., Mi 5:4). Sometimes, however, this juxtaposition serves to express merely an indefinite total, without the collateral idea of intensifying the lower by means of the higher number” (GKC 437 §134.s). Examples: “one” or “two” (Deut 32:30; Jer 3:14; Job 33:14; 40:5; Ps 62:12); “two” or “three” (2 Kgs 9:32; Isa 17:6; Hos 6:2; Amos 4:8; Sir 23:16; 26:28; 50:25); “three” or “four” (Jer 36:23; Amos 1:3-11; Prov 21:19; 30:15, 18; Sir 26:5); “four” or “five” (Isa 17:6); “six” or “seven” (Job 5:19; Prov 6:16); “seven” or “eight” (Mic 5:4; Eccl 11:2).

¹ tn The term נָתוֹן (naton, Qal infinitive absolute from נָתַן, natan, “to give”) is a verbal use of the infinitive absolute, used with vav to indicate an action that took place simultaneous to the main verb (see IBHS 596-97 §35.5.2d). Thus, the clause וְנָתוֹן אֶת־לִבִּי (v^enaton ʾet libbi, “while applying my mind…”) indicates contemporaneous action to the clause, “All this I have seen” (אֶת־כָּל־זֶה רָאִיתִי, ʾet kol zeh raʾiti). This is view is taken by several translations: “All this I have seen, having applied my mind to” (NEB); “All this I observed while applying my mind to” (RSV); “All this I saw, as I applied my mind to” (NIV); “All this I saw, as thoughtfully I pondered” (Moffatt). On the other hand, the LXX took the vav in a coordinating sense (“and”) and the infinitive absolute as an independent verb: “I saw all this, and I applied my heart”. This reading is adopted by other English versions (KJV, NAB, ASV, NASB, NJPS).

¹ tn The adjective יוֹתֵר (yoter) means “too much; excessive,” e.g., 2:15 “excessively wise” (HALOT 404 s.v. יוֹתֵר 2; BDB 452 s.v. יוֹתֵר). It is derived from the root יֶתֶר (yeter, “what is left over”; cf. HALOT 452 s.v. I יֶתֶר) and related to the verb יָתַר (yatar, Niphal “to be left over” and Hiphil “to have left over”; cf. HALOT 451-52). In 2:15 the adjective יוֹתֵר is used with the noun יִתְרוֹן (yitron, “advantage; profit”) in a wordplay or pun: The wise man has a relative “advantage” (יִתְרוֹן) over the fool (2:13-14a); however, there is no ultimate advantage because both share the same fate—death (2:14b-15a). Thus, Qoheleth’s acquisition of tremendous wisdom (1:16; 2:9) was “excessive” because it exceeded its relative advantage over folly: it could not deliver him from the same fate as the fool. He strove to obtain wisdom, yet it held no ultimate advantage. Likewise, in 7:16, Qoheleth warns that wisdom and righteous behavior do not guarantee an advantage over wickedness and folly because the law of retribution is sometimes violated.

⁴ tn Or “oil”; or “ointment.” The term שֶׁמֶן (shemen) refers to fragrant “perfume; cologne; ointment” (Amos 6:6; Eccl 10:1; Song 1:2 [1:3 HT]; 4:10); see HALOT 1568 s.v. שֶׁמֶן A.2.c. Bodily oils were expensive (1 Kgs 17:12; 2 Kgs 2:4). Possession of oils and perfumes was a sign of prosperity (Deut 32:8; 33:24; Job 29:6; Prov 21:17; Ezek 16:13, 20). Wearing colognes and oils was associated with joy (Ps 45:8; Eccl 9:8; Isa 61:3) because they were worn on festive occasions (Prov 27:9). The similar sounding terms “name” (שֵׁם, shem) and “perfume” (שֶׁמֶן) create a wordplay (paronomasia). See W. G. E. Watson, Classical Hebrew Poetry (JSOTSup), 242-43; J. J. Glück, “Paronomasia in Biblical Literature,” Semitics 1 (1970): 50-78; A. Guillaume, “Paronomasia in the Old Testament.” JSS 9 (1964): 282-90; J. M. Sasson, “Wordplay in the OT,” IDBSup 968-70.

¹ tn The syntax of this verse is difficult. Perhaps the best approach is to classify the vav on וַהֲבָלִים (vahavalim, “futilities”) as introducing the predicate (e.g., Gen 40:9; 2 Sam 23:3; Prov 10:25; Isa 34:12; Job 4:6; 36:26); BDB 255 s.v. ו 5.c.γ: “There is futility….” The phrase בְרֹב הֲלֹמוֹת (v^erob halomot) is an adverbial modifier (“in many dreams”), as is דְבָרִים הַרְבֵּה (d^evarim harbeh, “many words”). The vav prefixed to וּדְבָרִים (ud^evarim) and the juxtaposition of the two lines suggests a comparison: “just as…so also…” (BDB 253 s.v. ו 1.j). The English versions reflect a variety of approaches: “In the multitude of dreams and many words there are also diverse vanities” (KJV); “In the multitude of dreams there are vanities, and in many words” (ASV); “When dreams increase, empty words grow many” (RSV); “In many dreams and follies and many words” (MLB); “In the abundance of dreams both vanities and words abound” (YLT); “Where there are many dreams, there are many vanities, and words without number” (Douay); “Many dreams and words mean many a vain folly” (Moffatt); “Much dreaming leads to futility and to superfluous talk” (NJPS); “In many dreams and in many words there is emptiness” (NASB); “Much dreaming and many words are meaningless” (NIV); “With many dreams comes vanities and a multitude of words” (NRSV).

⁴ tn The noun חֵפֶץ (khefets, here “matter, business”) has a broad range of meanings: (1) “delight; joy,” (2) “desire; wish; longing,” (3) “the good pleasure; will; purpose,” (4) “precious stones” (i.e., jewelry), i.e., what someone takes delight in, and (5) “matter; business,” as a metonymy of adjunct to what someone takes delight in (Eccl 3:1, 17; 5:7; 8:6; Isa 53:10; 58:3, 13; Pss 16:3; 111:2; Prov 31:13); see HALOT 340 s.v. חֵפֶץ 4; BDB 343 s.v. חֵפֶץ 4. It is also sometimes used in reference to the “good pleasure” of God, that is, his sovereign plan, e.g., Judg 13:23; Isa 44:28; 46:10; 48:14 (BDB 343 s.v. חֵפֶץ). While the theme of the sovereignty of God permeates Eccl 3:1-4:3, the content of 3:1-8 refers to human activities that are planned and purposed by man. The LXX translated it with πράγματι (pragmati, “matter”). The term is translated variously by modern English versions: “every purpose” (KJV, ASV), “every event” (NASB), “every delight” (NASB margin), “every affair” (NAB), “every matter” (RSV, NRSV), “every activity” (NEB, NIV), “every project” (MLB), and “every experience” (NJPS).

² tn The noun זְמָן (z^eman) denotes “appointed time” or “appointed hour” (HALOT 273 s.v. זְמָן; BDB 273 s.v. זְמָן; see Eccl 3:1; Esth 9:27, 31; Neh 2:6; Sir 43:7), e.g., the appointed or designated time for the Jewish feasts (Esth 9:27, 31), the length of time that Nehemiah set for his absence from Susa (Neh 2:6), and the appointed times in the Jewish law for the months to begin (Sir 43:7). It is used in parallelism with מועד (“appointed time”), i.e., מועד ירח (“the appointed time of the moon”) parallels זמני חק (“the appointed times of the law”; Sir 43:7). The related verb, a Pual of זָמַן (zaman), means “to be appointed” (HALOT 273 s.v. זְמָן); e.g. Ezra 10:14; Neh 10:35; 13:31. These terms may be related to the noun I זִמָּה (zimmah, “plan; intention”; Job 17:11; HALOT 272 s.v. I זִמָּה) and מְזִמָּה (m^ezimmah, “purpose; plan; project”), e.g., the purposes of God (Job 42:2; Jer 23:20; 30:24; 51:11) and man’s plan (Isa 5:12); see HALOT 566 s.v. מְזִמָּה; BDB 273 s.v. מְזִמָּה.

⁵ tn The verb תִתְהַלָּל (tithallal) is a Hitpael imperfect. This is not the passive form (to “be praised,” so KJV, NIV, NASB, ESV, ASV, Holman) as occurs in Prov 12:8. The Hitpael of הָלַל (halal) is reflexive with meanings like “to boast; take glory in.” It is sometimes parallel to terms for rejoicing (Pss 34:2; 63:11; 64:10; Isa 41:16), being exultant over accomplishment or victory. In the context of contrasting misleading and fleeting external qualities, the reflexive translation “makes herself praiseworthy” emphasizes her character. The imperfect form could also be understood as modal “she can boast.” This would not mean a selfish bragging since the term is used to boast in the Lord (1 Chr 16:10; Isa 41:6; Jer 4:2; Ps 34:2). Rather it would mean she has a sound basis for being proud of her accomplishments achieved under the umbrella of the fear of the Lord.

¹ tn The passage begins a description of the woman given in the past tense, predominantly with perfect verbs (past tense or perfective for dynamic roots) and preterite verbs (past tense). The few participles and imperfect verbs (here past habitual) derive their time frame from context and are also past time. Most translations have rendered all the descriptions of the woman in the present tense, perhaps out of the habit of changing the Hebrew past tense verbs to present tense in English in the short proverbial sayings. (Most English proverbs are in the present tense, some in the future, the fewest in the past, e.g. “curiosity killed the cat.”) The Hebrew verb forms were considered to have a present tense in proverbial sayings, but proverbial sayings do not need to be in the present tense and the understanding of the Hebrew forms has been corrected (M. Rogland, Alleged Non-Past Uses of Qatal in Classical Hebrew [Assen, Netherlands: Van Gorcum, 2003]; J. Cook, “Genericity, Tense, and Verbal Patterns in the Sentence Literature of Proverbs” in Seeking Out the Wisdom of the Ancients, ed. Ronald Troxel [Winona Lake, IN: Eisenbrauns, 2005]; B. Webster “The Perfect Verb and the Perfect Woman in Proverbs” in Windows to the Ancient World of the Hebrew Bible, ed. B. Arnold, N. Erickson, J. Walton [Winona Lake, IN: Eisenbrauns, 2014]).

⁵ sn The reference to “son” in this passage has prompted many suggestions down through the years: It was identified as Israel in the Jewish Midrashim, the Logos or demiurge by some of the philosophers and allegorical writers, as simple poetic parallelism without a separate identity by some critical scholars, and as Jesus by Christian commentators. Parallels with Ugaritic are interesting because Baal is referred to as a son, but that is bound up within the pantheon where there was a father god. Some of the Jewish commentators exhibit a strange logic in expressing what Christians would say is only their blindness to the full revelation: There is little cogency in this being a reference to Jesus because if there had been such a person at any time in the past he would have left some tradition about it through his descendants (J. H. Greenstone, Proverbs, 317). But Judaism has taught from the earliest times that Messiah was preexistent (especially in view of Micah 5 and Daniel 7); and the claims of Jesus in the Gospels bear this out. It seems best to say that there is a hint here of the nature of the Messiah as Son, a hint that will later be revealed in full through the incarnation.