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(0.17) (Sos 3:2)

tn The emphatic particle of exhortation נא appears in the expression אָקוּמָה נָּא (ʾaqumah nah, “I will arise…”). This particle is used with first person common singular cohortatives to emphasize self-deliberation and a determined resolve to act (BDB 609 s.v. נָא b.3.a) (e.g., Gen 18:21; Exod 3:3; 2 Sam 14:15; Isa 5:1; Job 32:21).

(0.17) (Ecc 11:5)

tn Heb “the one who is full.” The feminine adjective מְלֵאָה (meleʾah, from מָלֵא, maleʾ, “full”) is used as a substantive referring to a pregnant woman whose womb is filled with her infant (HALOT 584 s.v. מָלֵא 2; BDB 571 s.v. מָלֵא). This term is used in reference to a pregnant woman in later Hebrew (HALOT 584 s.v. מָלֵא). The LXX understood the term in this sense: κυοφορούσης (kuophorousēs, “pregnant woman”).

(0.17) (Ecc 10:8)

tn The four imperfect verbs in vv. 8-9 may be nuanced as indicatives (“will…”) or in a modal sense denoting possibility (“may…”). The LXX rendered them with indicatives, as do many English translations (KJV, RSV, NRSV, ASV, MLB, YLT, NJPS). However, it is better to take them in a modal sense (NEB, NAB, NASB, NIV, NCV, CEV, NLT). One who digs a pit does not necessarily fall into it, but he may under the right conditions.

(0.17) (Ecc 9:14)

tn The root גדל (“mighty; strong; large”) is repeated in 9:13b for emphasis: “a mighty (גָדוֹל, gadol) king…building strong (גְדֹלִים, gedolim) siege works.” This repetition highlights the contrast between the vast power and resources of the attacking king, and the meager resources of the “little” (קְטַנָּה, qetannah) city with “few” (מְעָט, meʿat) men in it to defend it.

(0.17) (Ecc 8:16)

tn Heb “for no one sees sleep with their eyes either day or night.” The construction גַםכִּי (ki gam) expresses a concessive sense: “even though” (e.g., Ps 23:4; Prov 22:6; Eccl 4:14; Isa 1:15; Lam 3:8; Hos 8:10; 9:16); cf. HALOT 196 s.v. גַּם 9; BDB 169 s.v. גַּם 6; 473 s.v. כִּי 2.c.

(0.17) (Ecc 7:5)

tn Or “praise.” The antithetical parallelism between “rebuke” (גַּעֲרַת, gaʿarat) and “song” (שִׁיר, shir) suggests that the latter is figurative (metonymy of association) for praise/flattery which is “music” to the ears: “praise of fools” (NEB, NJPS) and “flattery of fools” (Douay). However, the collocation of “song” (שִׁיר) in 7:5 with “laughter” (שְׂחֹק, sekhoq) in 7:6 suggests simply frivolous merrymaking: “song of fools” (KJV, NASB, NIV, ASV, RSV, NRSV).

(0.17) (Ecc 7:12)

tn Heb “wisdom is a shade.” When used with a predicate nominative in a verbless clause, the preposition ב (bet) which appears twice in the line בְּצֵל הַחָכְמָה בְּצֵל הַכָּסֶף (betsel hakhokhmah betsel hakkasef) denotes identity, the so-called bet of essence (HALOT 104 s.v. בְּ 3; BDB 88 s.v. בְּ 1.7; see also R. J. Williams, Hebrew Syntax, 45, §249).

(0.17) (Ecc 3:6)

tn The term לְאַבֵּד (leʾabbed, Piel infinitive construct from אָבַד, ʾavad, “to destroy”) means “to lose” (e.g., Jer 23:1) as the contrast with בָּקַשׁ (baqash, “to seek to find”) indicates (HALOT 3 s.v. I אבד; BDB 2 s.v. אבד 3). This is the declarative or delocutive-estimative sense of the Piel: “to view something as lost” (R. J. Williams, Hebrew Syntax, 28, §145; IBHS 403 §24.2g).

(0.17) (Ecc 3:1)

tn Verse 1 is arranged in an ABB’A’ chiasm (לַכֹּל זְמָן וְעֵת לְכָל־חֵפֶץ, lakkol zeman veʿet lekhol khefets): (A) “for everything”; (B) “a season”; (B’) “a time”; (A’) “for every matter.” The terms “season” (זְמָן, zeman) and “time” (עֵת, ʿet) are parallel. In the light of its parallelism with “every matter” (כָל־חֵפֶץ, khol khefets), the term “everything” (כָל, khol) must refer to events and situations in life.

(0.17) (Ecc 3:2)

tn The verb יָלָד (yalad, “to bear”) is used in the active sense of a mother giving birth to a child (HALOT 413 s.v. ילד; BDB 408 s.v. יָלָד). However, in light of its parallelism with “a time to die,” it should be taken as a metonymy of cause (i.e., to give birth to a child) for effect (i.e., to be born).

(0.17) (Ecc 2:11)

tn The term הַכֹּל (hakkol, “everything” or “all”) must be qualified and limited in reference to the topic that is dealt with in 2:4-11. This is an example of synecdoche of general for the specific; the general term “all” is used only in reference to the topic at hand. This is clear from the repetition of כֹּל (kol, “everything”) and (“all these things”) in 2:11.

(0.17) (Ecc 1:15)

tn A parallel statement occurs in 7:13 which employs the active form of עָוַת, (ʿavat, “to bend”) with God as the subject: “Who is able to strengthen what God bends?” The passive form occurs here: “No one is able to straighten what is bent” (מְעֻוָּת לֹא־יוּכַל לֹתְקֹן, meʿuvvat loʾ yukhal loteqon). In the light of 7:13, the personal agent of the passive form is God.

(0.17) (Ecc 1:5)

tn Heb “the sun goes.” The participle בָּא (baʾ, “to go in”) emphasizes continual, durative, uninterrupted action (present universal use of participle): the sun is continually rising and continually setting day after day. The repetition of בָּא in 1:4-5 creates a comparison between the relative futility of all human endeavor (“a generation comes and a generation goes [בָּא]”) with the relative futility of the action of the sun (“the sun rises and the sun goes” [i.e., “sets,” בָּא]).

(0.17) (Ecc 1:13)

tn Heb “I gave my heart” or “I set my mind.” The term לִבִּי (libbi, “my heart”) is an example of synecdoche of part (heart) for the whole (myself). Qoheleth uses this figurative expression frequently in the book. On the other hand, in Hebrew mentality, the term “heart” is frequently associated with one’s thoughts and reasoning; thus, this might be a metonymy of association (heart = thoughts). The equivalent English idiom would be “I applied my mind.”

(0.17) (Pro 31:30)

sn The verse shows that “charm” and “beauty” do not endure as do those qualities that the fear of the Lord produces. Charm is deceitful: One may be disappointed in the character of the one with beauty. Beauty is vain (fleeting as a vapor): Physical appearance will not last. The writer is not saying these are worthless; he is saying there is something infinitely more valuable.

(0.17) (Pro 31:21)

tn For the MT’s “scarlet” the LXX and the Latin have “two” or “double”—the difference being essentially the vocalization of a plural as opposed to a dual. The word is taken in the versions with the word that follows (“covers”) to mean “double garments.” The question to be asked is whether scarlet would keep one warm in winter or double garments. The latter is the easier reading and therefore suspect.

(0.17) (Pro 31:22)

tn The first word of the thirteenth line begins with מ (mem), the thirteenth letter of the Hebrew alphabet. The word rendered “coverlets” appears in 7:16, where it has the idea of “covered.” K&D 17:335 suggests “pillows” or “mattresses” here. The Greek version has “lined overcoats” or “garments,” but brings over the last word of the previous verse to form this line and parallel the second half, which has clothing in view.

(0.17) (Pro 31:22)

sn The “fine linen” refers to expensive clothing (e.g., Gen 41:42), as does the “purple” (e.g., Exod 26:7; 27:9, 18). Garments dyed with purple indicated wealth and high rank (e.g., Song 3:5). The rich man in Luke 16:19 was clothed in fine linen and purple as well. The difference is that the wise woman is charitable, but he is not.

(0.17) (Pro 31:18)

tn The imperfect verb יִכְבֶּה (yikbeh) is used in its past habitual sense. The verbs describing the woman from verses 12-29 include 19 perfects and 9 preterites which describe actions with past time references. Thus the four imperfect verbs that describe her (vv. 14, 18, 21, 27) should be understood as modal and operating in a past time frame. Technically this verb does not describe her directly, though it refers to her lamp.

(0.17) (Pro 31:10)

tn The first word in the Hebrew text (אֵשֶׁת, ʾeshet) begins with א (ʾalef), the first letter in the Hebrew alphabet. The word אֵשֶׁת, (ʾeshet) can refer to a wife or to a woman. Ruth is called an אֵשֶׁת חַיִל (ʾeshet khayil) “worthy woman” while still a widow. While the term need not refer to a wife, that was certainly the most common status of the adult woman in ancient Israel and the following description portrays a woman who is both wife and mother.



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