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(0.20) (Isa 30:29)

tn Heb “[you will have] joy of heart, like the one going with a flute to enter the mountain of the Lord to the Rock of Israel.” The image here is not a foundational rock, but a rocky cliff where people could hide for protection (for example, the fortress of Masada).

(0.20) (Isa 30:28)

tn Heb “and a bit that leads astray [is] in the jaws of the peoples.” Here the nations are likened to a horse that can be controlled by a bit placed in its mouth. In this case the Lord uses his sovereign control over the “horse” to lead it to its demise.

(0.20) (Isa 30:26)

sn Light here symbolizes restoration of divine blessing and prosperity. The number “seven” is used symbolically to indicate intensity. The exact meaning of the phrase “the light of seven days” is uncertain; it probably means “seven times brighter” (see the parallel line).

(0.20) (Isa 29:22)

tn Heb “So this is what the Lord has said to the house of Jacob, the one who ransomed Abraham.” The relative pronoun must refer back to “the Lord.” It is uncertain to what event in Abraham’s experience this refers. Perhaps the name “Abraham” stands here by metonymy for his descendants through Jacob. If so, the Exodus is in view.

(0.20) (Isa 29:6)

tn Heb “from the Lord of Heaven’s Armies [traditionally, “the Lord of hosts”] there will be visitation.” The third feminine singular passive verb form תִּפָּקֵד (tippaqed, “she/it will be visited”) is used here in an impersonal sense. See GKC 459 §144.b.

(0.20) (Isa 29:4)

tn Heb “and your voice will be like a ritual pit from the earth.” The Hebrew אוֹב (ʾov, “ritual pit”) refers to a pit used by a magician to conjure up underworld spirits. See the note on “incantations” in 8:19. Here the word is used metonymically for the voice that emerges from such a pit.

(0.20) (Isa 29:1)

tn Heb “Woe [to] Ariel.” The meaning of the name “Ariel” is uncertain. The name may mean “altar hearth” (see v. 2) or, if compound, “lion of God.” The name is used here as a title for Mount Zion/Jerusalem (see vv. 7-8).

(0.20) (Isa 26:14)

tn The Hebrew term לָכֵן (lakhen) normally indicates a cause-effect relationship between what precedes and follows and is translated, “therefore.” Here, however, it infers the cause from the effect and brings out what is implicit in the previous statement. See BDB 487 s.v.

(0.20) (Isa 26:19)

sn It is not certain whether the resurrection envisioned here is intended to be literal or figurative. A comparison with 25:8 and Dan 12:2 suggests a literal interpretation, but Ezek 37:1-14 uses resurrection as a metaphor for deliverance from exile and the restoration of the nation (see Isa 27:12-13).

(0.20) (Isa 26:7)

sn The metaphor of a level/smooth road/path may refer to their morally upright manner of life (see v. 8a), but verse 7b, which attributes the smooth path to the Lord, suggests that the Lord’s vindication and blessing may be the reality behind the metaphor here.

(0.20) (Isa 24:22)

tn Heb “visited” (so KJV, ASV). This verse can mean to visit for good or for evil. The translation assumes the latter, based on v. 21a. However, BDB 823 s.v. פָּקַד B.Niph.2 suggests the meaning “visit graciously” here, in which case one might translate “they will be released.”

(0.20) (Isa 25:1)

tn Heb “plans from long ago [in] faithfulness, trustworthiness.” The feminine noun אֱמוּנָה (ʾemunah, “faithfulness”) and masculine noun אֹמֶן (ʾomen, “trustworthiness”), both of which are derived from the root אָמַן (ʾaman), are juxtaposed to emphasize the basic idea conveyed by the synonyms. Here they describe the absolute reliability of the divine plans.

(0.20) (Isa 23:4)

tn J. N. Oswalt (Isaiah [NICOT], 1:430-31) sees here a reference to Yam, the Canaanite god of the sea. He interprets the phrase מָעוֹז הַיָּם (maʿoz hayyam, “fortress of the sea”) as a title of Yam, translating “Mighty One of the Sea.” A more traditional view is that the phrase refers to Sidon.

(0.20) (Isa 22:21)

tn Heb “a father to.” The Hebrew term אָב (ʾav, “father”) is here used metaphorically of one who protects and supports those under his care and authority, like a father does his family. For another example of this metaphorical use of the word, see Job 29:16.

(0.20) (Isa 22:11)

tn The antecedent of the third feminine singular suffix here and in the next line is unclear. The closest feminine noun is “pool” in the first half of the verse. Perhaps this “old pool” symbolizes the entire city, which had prospered because of God’s provision and protection through the years.

(0.20) (Isa 21:8)

tn The Hebrew text has, “the lion,” but this makes little sense here. אַרְיֵה (ʾaryeh, “lion”) probably needs to be emended to an original הָרֹאֶה (haroʾeh, “the one who sees”), i.e., the guard mentioned previously in v. 6. The Dead Sea Scrolls (1Q Isaa) and the Syriac support an original הָרֹאֶה (haroʾeh, “the one who sees”).

(0.20) (Isa 19:16)

tn Heb “and he will tremble and be afraid because of the brandishing of the hand of the Lord of Heaven’s Armies [traditionally, “the Lord of hosts”], which he brandishes against him.” Since according to the imagery here the Lord’s “hand” is raised as a weapon against the Egyptians, the term “fist” has been used in the translation.

(0.20) (Isa 17:10)

tn Heb “a vine, a strange one.” The substantival adjective זָר (zar) functions here as an appositional genitive. It could refer to a cultic plant of some type, associated with a pagan rite. But it is more likely that it refers to an exotic, or imported, type of vine, one that is foreign (i.e., “strange”) to Israel.

(0.20) (Isa 16:11)

tn Heb “so my intestines sigh for Moab like a harp.” The word מֵעַי (meʿay, “intestines”) is used here of the seat of the emotions. English idiom requires the word “heart.” The point of the comparison to a harp is not entirely clear. Perhaps his sighs of mourning resemble a harp in sound, or his constant sighing is like the repetitive strumming of a harp.

(0.20) (Isa 16:3)

tn Heb “Make your shade like night in the midst of noonday.” “Shade” here symbolizes shelter, while the heat of noonday represents the intense suffering of the Moabites. By comparing the desired shade to night, the speaker visualizes a huge, dark shadow cast by a large tree that would provide relief from the sun’s heat.



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