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(0.20) (Jer 48:37)

tn Heb “upon every loin [there is] sackcloth.” The word “all” is restored here before “loin,” in agreement with a number of Hebrew mss and a number of versions. The words “in mourning” and “to show their sorrow” are not in the text. They have been supplied in the translation to give the average reader some idea of the significance of these acts.

(0.20) (Jer 48:43)

tn Heb “are upon you, inhabitant of Moab.” This is another example of the rapid switch in person, or direct address (apostrophe) in the midst of a third person description or prediction, which the present translation typically keeps in the third person for smoother English style.

(0.20) (Jer 34:13)

tn Heb “made a covenant, saying.” This was only one of several stipulations of the covenant. The form used here has been chosen as an indirect way of relating the specific stipulation that is being focused upon to the general covenant that is referred to in v. 13.

(0.20) (Jer 32:42)

tn Heb “As I have brought all this great disaster on these people, so I will bring upon them all the good fortune that I am promising them.” The translation has broken down the longer Hebrew sentence to better conform to English style.

(0.20) (Jer 23:34)

tn Heb “And the prophet or the priest or the people [common person] who says, ‘The burden of the Lord,’ I will visit upon [= punish] that man and his house.” This is an example of the Hebrew construction called nominative absolute or casus pendens (cf. GKC 458 §143.d).

(0.20) (Jer 17:1)

tn This verse has been restructured for the sake of the English poetry: Heb “The sin of Judah is engraved [or written] with an iron pen, inscribed with a point of a diamond [or adamant] upon the tablet of their hearts and on the horns of their altars.”

(0.20) (Jer 12:14)

sn There appears to be an interesting play on the Hebrew word translated “uproot” in this verse. In the first instance it refers to “uprooting the nations from upon their lands,” i.e., to exiling them. In the second instance it refers to “uprooting the Judeans from the midst of them,” i.e., to rescuing them.

(0.20) (Isa 8:16)

tn Heb “seal [the] instruction among my followers.” The “instruction” probably refers to the prophet’s exhortations and warnings. When the people are judged for the sins, the prophet can produce these earlier messages and essentially say, “I told you so.” In this way he can authenticate his ministry and impress upon the people the reality of God’s authority over them.

(0.20) (Isa 5:12)

tn Heb “the work of the Lord they do not look at, and the work of his hands they do not see.” God’s “work” can sometimes be his creative deeds, but in this context it is the judgment that he is planning to bring upon his people (cf. vv. 19, 26; 10:12; 28:21).

(0.20) (Pro 1:26)

tn Heb “at your disaster.” The second person masculine plural suffix is either (1) a genitive of worth: “the disaster due you” or (2) an objective genitive: “disaster strikes you.” The term “disaster” (אֵיד, ʾed) often refers to final life-ending calamity (Prov 6:15; 24:22; BDB 15 s.v. 3). The preposition ב (bet) focuses upon time here.

(0.20) (Psa 138:4)

tn The prefixed verbal forms here and in the following verse are understood as jussives, for the psalmist appears to be calling upon the kings to praise God. Another option is to take them as imperfects and translate, “the kings of the earth will give thanks…and will sing.” In this case the psalmist anticipates a universal response to his thanksgiving song.

(0.20) (Psa 82:1)

sn Psalm 82. The psalmist pictures God standing in the “assembly of El” where he accuses the “gods” of failing to promote justice on earth. God pronounces sentence upon them, announcing that they will die like men. Having witnessed the scene, the psalmist then asks God to establish his just rule over the earth.

(0.20) (Psa 80:17)

tn Heb “may your hand be upon the man of your right hand.” The referent of the otherwise unattested phrase “man of your right hand,” is unclear. It may refer to the nation collectively as a man. (See the note on the word “yourself” in v. 17b.)

(0.20) (Psa 74:1)

sn Psalm 74. The psalmist, who has just experienced the devastation of the Babylonian invasion of Jerusalem in 586 b.c., asks God to consider Israel’s sufferings and intervene on behalf of his people. He describes the ruined temple, recalls God’s mighty deeds in the past, begs for mercy, and calls for judgment upon God’s enemies.

(0.20) (Psa 50:16)

tn Heb “What to you to declare my commands and lift up my covenant upon your mouth?” The rhetorical question expresses sarcastic amazement. The Lord is shocked that such evildoers would give lip-service to his covenantal demands, for their lifestyle is completely opposed to his standards (see vv. 18-20).

(0.20) (Psa 21:5)

tn Heb “majesty and splendor you place upon him.” For other uses of the phrase הוֹד וְהָדָר (hod vehadar, “majesty and splendor”) see 1 Chr 16:27; Job 40:10; Pss 96:6; 104:1; 111:3.

(0.20) (Psa 18:36)

tn Heb “you make wide my step under me.” “Step” probably refers metonymically to the path upon which the psalmist walks. Another option is to translate, “you widen my stride.” This would suggest that God gives the psalmist the capacity to run quickly.

(0.20) (Psa 16:4)

tn Heb “and I will not lift up their names upon my lips.” The expression “lift up the name” probably refers here to swearing an oath in the name of deity (see Exod 20:7; Deut 5:11). If so, the third masculine plural suffix on “names” likely refers to the pagan gods, not the people/leaders. See the preceding note.

(0.20) (Psa 7:10)

tn Traditionally, “my shield is upon God” (cf. NASB). As in v. 8, עַל (ʿal) should be understood as a divine title, here compounded with “God” (cf. NIV, “God Most High”). See M. Dahood, Psalms (AB), 1:45-46. The shield metaphor pictures God as a protector against deadly attacks.

(0.20) (Job 33:21)

tc Heb “are laid bare.” This is the Qere reading; the Kethib means “bare height.” Gordis reverses the word order: “his bones are bare [i.e., crushed] so that they cannot be looked upon.” But the sense of that is not clear.



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