Discovery Box| (0.30) | (Exo 19:25) | 1 sn The passage has many themes and emphases that could be developed in exposition. It could serve for meditation, that is, the theology drawn from the three parts could be subordinated to the theme of holiness: God is holy, therefore adhere to his word for service, approach him through a mediator, and adore him in purity and fearful reverence. A developed outline for the exposition could be organized as follows: I. If the people of God will obey him, they will be privileged to serve in a unique way (vv. 1-8); II. If the people of God are to obey, they must be convinced of the divine source of their commands (v. 9); and finally, III. If the people of God are convinced of the divine approval of their mediator, and the divine source of their instructions, they must sanctify themselves before him (vv. 10-25). In sum, the manifestation of the holiness of Yahweh is the reason for sanctification and worship. The correlation is to be made through 1 Peter 2 to the church. The Church is a kingdom of priests; it is to obey the Word of God. What is the motivation for this? Their mediator is Jesus Christ; he has the approval of the Father and manifests the glory of God to his own; and he declares the purpose of their calling is to display his glory. God’s people are to abstain from sin so that pagans can see their good works and glorify God. |
| (0.30) | (Exo 19:9) | 1 tn The construction uses the deictic particle and the participle to express the imminent future, what God was about to do. Here is the first announcement of the theophany. |
| (0.30) | (Exo 15:16) | 3 tn The adjective is in construct form and governs the noun “arm” (“arm” being the anthropomorphic expression for what God did). See GKC 428 §132.c. |
| (0.30) | (Exo 15:1) | 1 sn This chapter is a song of praise sung by Moses and the people right after the deliverance from the Sea. The song itself is vv. 1b-18; it falls into three sections—praise to God (1b-3), the cause for the praise (4-13), and the conclusion (14-18). The point of the first section is that God’s saving acts inspire praise from his people; the second is that God’s powerful acts deliver his people from the forces of evil; and the third section is that God’s demonstrations of his sovereignty inspire confidence in him by his people. So the Victory Song is very much like the other declarative praise psalms—the resolve to praise, the power of God, the victory over the enemies, the incomparability of God in his redemption, and the fear of the people. See also C. Cohen, “Studies in Early Israelite Poetry I: An Unrecognized Case of Three Line Staircase Parallelism in the Song of the Sea,” JANESCU 7 (1975): 13-17; D. N. Freedman, “Strophe and Meter in Exodus 15, ” A Light unto My Path, 163-203; E. Levine, “Neofiti I: A Study of Exodus 15, ” Bib 54 (1973): 301-30; T. C. Butler, “‘The Song of the Sea’: Exodus 15:1-18: A Study in the Exegesis of Hebrew Poetry,” DissAb 32 (1971): 2782-A. |
| (0.30) | (Exo 13:21) | 1 sn God chose to guide the people with a pillar of cloud in the day and one of fire at night, or, as a pillar of cloud and fire, since they represented his presence. God had already appeared to Moses in the fire of the bush, and so here again is revelation with fire. Whatever the exact nature of these things, they formed direct, visible revelations from God, who was guiding the people in a clear and unambiguous way. Both clouds and fire would again and again represent the presence of God in his power and majesty, guiding and protecting his people, by judging their enemies. |
| (0.30) | (Exo 14:4) | 1 tn In this place the verb חָזַק (hazaq) is used; it indicates that God would make Pharaoh’s will strong or firm. |
| (0.30) | (Exo 10:2) | 1 tn The expression is unusual: תְּסַפֵּר בְּאָזְנֵי (tesapper beʾozne, “[that] you may declare in the ears of”). The clause explains an additional reason for God’s hardening the heart of Pharaoh, namely, so that the Israelites can tell their children of God’s great wonders. The expression is highly poetic and intense—like Ps 44:1, which says, “we have heard with our ears.” The emphasis would be on the clear teaching, orally, from one generation to another. |
| (0.30) | (Exo 9:28) | 1 sn The text has Heb “the voices of God.” The divine epithet can be used to express the superlative (cf. Jonah 3:3). |
| (0.30) | (Exo 9:16) | 2 tn The form הֶעֱמַדְתִּיךָ (heʿemadtikha) is the Hiphil perfect of עָמַד (ʿamad). It would normally mean “I caused you to stand.” But that seems to have one or two different connotations. S. R. Driver (Exodus, 73) says that it means “maintain you alive.” The causative of this verb means “continue,” according to him. The LXX has the same basic sense—“you were preserved.” But Paul bypasses the Greek and writes “he raised you up” to show God’s absolute sovereignty over Pharaoh. Both renderings show God’s sovereign control over Pharaoh. |
| (0.30) | (Exo 7:1) | 1 tn The word “like” is added for clarity, making explicit the implied comparison in the statement “I have made you God to Pharaoh.” The word אֱלֹהִים (ʾelohim) is used a few times in the Bible for humans (e.g., Pss 45:6; 82:1), and always clearly in the sense of a subordinate to GOD—they are his representatives on earth. The explanation here goes back to 4:16. If Moses is like God in that Aaron is his prophet, then Moses is certainly like God to Pharaoh. Only Moses, then, is able to speak to Pharaoh with such authority, giving him commands. |
| (0.30) | (Exo 6:1) | 1 sn The expression “I will do to Pharaoh” always refers to the plagues. God would first show his sovereignty over Pharaoh before defeating him. |
| (0.30) | (Exo 4:9) | 4 sn This is a powerful sign, for the Nile was always known as the source of life in Egypt, but now it will become the evidence of death. So the three signs were alike, each consisting of life and death. They would clearly anticipate the struggle with Egypt through the plagues. The point is clear that in the face of the possibility that people might not believe, the servants of God must offer clear proof of the power of God as they deliver the message of God. The rest is up to God. |
| (0.30) | (Exo 3:10) | 1 sn These instructions for Moses are based on the preceding revelation made to him. The deliverance of Israel was to be God’s work—hence, “I will send you.” When God commissioned people, often using the verb “to send,” it indicated that they went with his backing, his power, and his authority. Moses could not have brought Israel out without this. To name this incident a commissioning, then, means that the authority came from God to do the work (compare John 3:2). |
| (0.30) | (Gen 41:32) | 3 tn The clause combines a participle and an infinitive construct: God “is hurrying…to do it,” meaning he is going to do it soon. |
| (0.30) | (Gen 35:10) | 1 tn Heb “and he called his name Israel.” The referent of the pronoun “he” (God) has been specified in the translation for clarity. |
| (0.30) | (Gen 35:1) | 3 sn God is calling on Jacob to fulfill his vow he made when he fled from…Esau (see Gen 28:20-22). |
| (0.30) | (Gen 35:2) | 2 sn The actions of removing false gods, becoming ritually clean, and changing garments would become necessary steps in Israel when approaching the Lord in worship. |
| (0.30) | (Gen 33:10) | 4 sn This is an allusion to the preceding episode (32:22-31) in which Jacob saw the face of God and realized his prayer was answered. |
| (0.30) | (Gen 30:6) | 1 tn Heb “and also he has heard my voice.” The expression means that God responded positively to Rachel’s cry and granted her request. |
| (0.30) | (Gen 27:20) | 4 tn Heb “and he said, ‘Because the Lord your God….’” The order of the introductory clause and the direct discourse has been rearranged in the translation for stylistic reasons. |
