¹ tn Or “cypress trees” (cf. NASB, NLT); NIV “pine trees.”

³ tn Cf. KJV “a green fir tree,” NIV, NCV “a green pine tree,” NRSV “an evergreen cypress.”

⁸ tn Heb “the cypresses”; alternately, “the horses.” The Hebrew noun הַבְּרֹשִׁים (habb^eroshim, “the cypresses”) is probably from the root בְּרוֹשׁ (b^erosh, “cypress, fir”) and is a figure of speech (synecdoche of material) in which the thing made (spear-shafts) is intended by the use of the term for the material out of which it is made (cypress wood). See K. J. Cathcart, Nahum in the Light of Northwest Semitic (BibOr), 89.

² tc The Hebrew reads, “Your deck they made ivory, daughter of Assyria.” The syntactically difficult “ivory” is understood here as dittography and omitted, though some construe this to refer to ivory inlays. “Daughter of Assyria” is understood here as improper word division, and the vowels are repointed as “cypresses” and translated as “cypress wood.”

² tn A transliteration of the Hebrew term yields “gopher (גֹּפֶר, gofer) wood” (so KJV, NAB, NASB). While the exact nature of the wood involved is uncertain (cf. NLT “resinous wood”), many modern translations render the Hebrew term as “cypress” (so NEB, NIV, NRSV).

³ sn It was common in ancient love literature to compare a beautiful woman to a sleek filly. For example, Horace likened Lyde to a three year old filly: “She gambols over the spreading plains and shrinks from touch, to wedlock still a stranger, not yet ripe for eager mate” (Horace, Odes iii. xi. 9). Theocritus compared Helen of Troy to a graceful steed harnessed to a chariot: “As towers the cypress mid the garden’s bloom, as in the chariot proud Thessalian steed, thus graceful rose-complexion’d Helen moves” (Theocritus, Idyll xviii. 30-31).

⁸ tc The MT reads הַבְּרֹשִׁים (habb^eroshim, “the cypresses”). A variant textual tradition (preserved in several Hebrew mss) reads הַפְּרֹשִׁים (happ^eroshim, “spears, horses, horsemen”) which is reflected in the LXX and Syriac. The variant noun הַפְּרֹשִׁים is derived either from IV פָּרַשׁ (“horse, horseman”; see BDB 831 s.v. פָּרַשׁ; HALOT 977 s.v. פָּרָשׁ) or II פָּרַשׁ (“spear, staff”) which is related to Akkadian parussu (“spear-staff”; see BDB 831 II פָּרַשׁ). The LXX connects הַבְּרֹשִׁים to IV פָּרַשׁ (“horsemen”) as indicated by its translation οἱ ἱππεῖς (hoi hippeis, “the horsemen”). While some English versions follow the MT (KJV, NASB, NIV, NJPS), others adopt the alternate textual tradition (RSV, NEB, NJB, NRSV).

² tn The nouns כֶסֶף (kesef, “silver”), זָהָב (zahav, “gold”) and אַרְגָּמָן (ʾargaman, “purple”) function as genitives of material out of which their respective parts of the palanquin were made: the posts, base, and seat. The elaborate and expensive nature of the procession is emphasized in this description. This litter was constructed with the finest and most expensive materials. The litter itself was made from the very best wood: cedar and cypress from Lebanon. These were the same woods which Solomon used in constructing the temple (1 Kgs 4:33-5:14). Silver was overlaid over the “posts,” which were either the legs of the litter or the uprights which supported its canopy, and the “back” of the litter was overlaid with gold. The seat was made out of purple material, which was an emblem of royalty and which was used in the tabernacle (Exod 26:1f; 27:16; 28:5-6) and in the temple (2 Chr 3:14). Thus, the litter was made of the very best which Solomon could offer. Such extravagance reflected his love for his Beloved who rode upon it and would be seen upon it by all the Jerusalemites as she came into the city.