¹ tn Heb “Emptiness and devastation and being laid waste.” Several English versions attempt to reproduce the assonance, alliteration, and paronomasia of three similarly sounding Hebrew words: בּוּקַָה וּמְבוּקָה וּמְבֻלָּקָה (buqah um^evuqah um^evullaqah; NJPS “Desolation, devastation, and destruction!”; NRSV “Devastation, desolation, and destruction!”).

² tc The MT reads בְּקוֹל תּוֹדָה (b^eqol todah, “with a voice of thanksgiving”). Some mss of Tg. Jonah read here, “with the sound of hymns of thanksgiving”; the longer reading probably reflects an editorial gloss, explaining תּוֹדָה (“thanksgiving”) as “hymns of thanksgiving.”

¹ tn Heb “What to you sleeping?” The Niphal participle נִרְדָּם (nirdam) from רָדַם (radam, “to sleep”) functions here not as a vocative use of the noun (so KJV, NKJV, ASV “O sleeper”; RSV “you sleeper”) but as a verbal use to depict uninterrupted sleep up to this point. The expression מַה־לְּךָ (mah l^ekha, “what to you?”) can express surprise (BDB 552 s.v. מָה 1.a; e.g., Job 9:12; 22:12; Eccl 8:4; Isa 45:9, 10) or indignation and contempt (BDB 552 s.v. מָה 1.c; e.g., 1 Kgs 19:9, 13). Accordingly, the captain is either surprised that Jonah is able to sleep so soundly through the storm (NIV “How can you sleep?”; JPS, NJPS: “How can you be sleeping so soundly?”; NEB, REB “What, sound asleep?”), or he is indignant that Jonah would sleep in a life-threatening situation when he should be praying (CEV “How can you sleep at a time like this?”; NAB “What are you doing [+ sound NRSV] asleep?”; NJB “What do you mean by sleeping?”).

¹ tn Heb “At the sound of their downfall the earth will quake.” However, as in many other places, “earth” here metonymically stands for the inhabitants or people of the earth (see E. W. Bullinger, Figures of Speech, 578-79, and compare usage in 2 Sam 15:23 and Ps 66:4).

³ tn The Hebrew particle כִּי (ki) has not been rendered here because it is introducing a causal clause parallel to the preceding one. The rendering “For” might be misunderstood as a grounds for the preceding statement. To render “And” or “Moreover” sounds a little odd here. If the particle must be represented, “Moreover” is perhaps the best translation.

¹ tn Or “‘to us personally’…to them personally”; Heb “‘in our ears’…in their ears.” Elsewhere this has been rendered “in the hearing of” or “where they could hear.” All three of those idioms sound unnatural in this context. The mere personal pronoun seems adequate.

¹ tn Heb “Alas [or Woe] for that day will be great.” For the use of the particle “Alas” to signal a time of terrible trouble, even to sound the death knell for someone, see the translator’s note on 22:13.

¹ sn Jer 25:36-38 shifts to the future as though the action were already accomplished or going on. It is the sound that Jeremiah hears in his “prophetic ears” of something that has begun (v. 29) but will find its culmination in the future (vv. 13, 16, 27, 30-35).

³ tn This is an attempt to render a construction that involves an infinitive of a verb being added before the same verb in a question that expects a positive answer. There may, by the way, be a pun being passed back and forth here involving the sound play been “fool” (נָבָל, naval) and “wine bottle” (נֶבֶל, nevel).

² sn The wordplay begun with “sound…in Tekoa” in v. 1 and continued with “encamp” (they will pitch [their tents]) in v. 3 is concluded here with “turn away in disgust” (תֵּקַע [teqaʿ]), which uses the same consonants although built now on the root יָקַע (yaqaʿ).

¹ sn This works like the sound play in 1:11-12 (see note at 1:12), although the word “north” is repeated with the same meaning both times. The boiling pot is only relevant as a scene that prompts Jeremiah to say “north,” which is the jumping off point for giving the prophecy.

¹ tn Heb “they will be gathered [in] a gathering [as] a prisoner in a cistern.” It is tempting to eliminate אֲסֵפָה (ʾasefah, “a gathering”) as dittographic or as a gloss, but sound repetition is one of the main characteristics of the style of this section of the chapter.

⁴ tn Verse 16b is a classic example of Hebrew wordplay. In the first line (“I’m wasting away….”) four consecutive words end with hireq yod ( ִי); in the second line all forms are derived from the root בָּגַד (bagad). The repetition of sound draws attention to the prophet’s lament.

¹ tn Heb “so my intestines sigh for Moab like a harp.” The word מֵעַי (meʿay, “intestines”) is used here of the seat of the emotions. English idiom requires the word “heart.” The point of the comparison to a harp is not entirely clear. Perhaps his sighs of mourning resemble a harp in sound, or his constant sighing is like the repetitive strumming of a harp.

³ sn The noun קוֹל (qol, literally, “sound, noise, voice”) is used as an exclamation: “Listen!” or “Hark!” (e.g., Gen 4:10; Isa 13:4; 40:3; 52:8; Jer 3:21; 4:15; 10:22; 31:15; 50:28; 51:54; Mic 6:9; Zeph 1:14; 2:14; Song 2:8; 5:2) (HALOT 1085 s.v. קוֹל 8b; BDB 877 s.v. קוֹל 1.f; Joüon 2:614 §162.e; GKC 467 §146.b). The term often refers to a loud or unexpected sound that arrests the attention of a character in a narrative. The speaker/writer uses it as a rhetorical device to dramatically portray his/her own startled reaction to an unexpected sound that called his/her attention. The Beloved is startled from her sleep by the unexpected sound of him loudly knocking at her bedroom door late at night.

² tn The form is the Piel cohortative of resolve—“I am determined to pay back.” The verb שָׁלֵם (shalem) means “to be complete; to be sound.” In this stem, however, it can mean “to make complete; to make good; to requite; to recompense” (KJV, ASV). The idea is “getting even” by paying back someone for the evil done.

¹ tn The word מְזִמָּה (m^ezimmah, “discretion”) is the ability to know the best course of action for achieving one’s goal. It is knowledge and understanding with a purpose. This kind of knowledge enables one to make the right choices that will protect him from blunders and their consequences (cf. NLT “wise planning”; CEV “sound judgment”).

¹ tn The present translation (like most modern translations) follows the Qere (marginal reading), which reads literally, “and to him [are] we.” The Kethib (consonantal text) has “and not we.” The suffixed preposition לוֹ (lo, “to him”) was confused aurally with the negative particle לֹא (loʾ, “not”) because the two sound identical.

¹ tn Heb “cistern of roaring.” The Hebrew noun בּוֹר (bor, “cistern, pit”) is used metaphorically here of Sheol, the place of death, which is sometimes depicted as a raging sea (see Ps 18:4, 15-16). The noun שָׁאוֹן (shaʾon, “roaring”) refers elsewhere to the crashing sound of the sea’s waves (see Ps 65:7).

⁷ tn Several commentators delete the colon as having no meaning in the verse, and because (in their view) it is probably the addition of an interpolator who wants to make Job sound more pious. But Job is at least consoling himself that he is innocent, and at the most anticipating a worth-while afterlife (see H. H. Rowley, Job [NCBC], 60).