1 Chronicles 18:8

18:8 From Tibhath and Kun, Hadadezer’s cities, David took a great deal of bronze. (Solomon used it to make the big bronze basin called “The Sea,” the pillars, and other bronze items.

1 Chronicles 23:13

23:13 The sons of Amram:

Aaron and Moses.

Aaron and his descendants were chosen on a permanent basis to consecrate the most holy items, to offer sacrifices before the Lord, to serve him, and to praise his name.

1 Chronicles 26:26

26:26 Shelomith and his relatives were in charge of all the storehouses containing the consecrated items dedicated by King David, the family leaders who led units of a thousand and a hundred, and the army officers.

1 Chronicles 28:12-13

28:12 He gave him the blueprints of all he envisioned for the courts of the Lord’s temple, all the surrounding rooms, the storehouses of God’s temple, and the storehouses for the holy items.

28:13 He gave him the regulations for the divisions of priests and Levites, for all the assigned responsibilities within the Lord’s temple, and for all the items used in the service of the Lord’s temple.


tn The MT reads “Tibhath” here, a variant name for Tebah (cf. 2 Sam 8:8). Some English translations substitute the other version of the name here (e.g., NIV, NLT), while others follow the reading of the Hebrew text at this point (e.g., NAB, NASB, NRSV).

tn The parallel text of 2 Sam 8:8 has the variant name “Berothai.”

tn Heb “the sea of bronze,” or “[the] sea, the bronze one.” See the note at 1 Kgs 7:23.

tn Heb “and Aaron was set apart to consecrate it, the most holy things, he and his sons, permanently, to sacrifice before the Lord, to serve him, and to bless his name permanently.”

tc The MT reads “Shelomoth”; the name is spelled “Shelomith” in the marginal reading (Qere) of v. 25.

tn The words “he gave him” are supplied in the translation for clarity and for stylistic reasons.

tn Heb “the pattern of all which was in the spirit with him.”

tn The words “he gave him the regulations” are supplied in the translation for clarity and for stylistic reasons.