Psalms 6:1

Psalm 6

For the music director, to be accompanied by stringed instruments, according to the sheminith style; a psalm of David.

6:1 Lord, do not rebuke me in your anger!

Do not discipline me in your raging fury!

Psalms 8:1

Psalm 8

For the music director, according to the gittith style; a psalm of David.

8:1 O Lord, our Lord,

how magnificent is your reputation throughout the earth!

You reveal your majesty in the heavens above!

Psalms 9:1

Psalm 9 10 

For the music director; according to the alumoth-labben style; 11  a psalm of David.

9:1 I will thank the Lord with all my heart!

I will tell about all your amazing deeds! 12 

Psalms 22:1

Psalm 22 13 

For the music director; according to the tune “Morning Doe;” 14  a psalm of David.

22:1 My God, my God, why have you abandoned me? 15 

I groan in prayer, but help seems far away. 16 

Psalms 53:1

Psalm 53 17 

For the music director; according to the machalath style; 18  a well-written song 19  by David.

53:1 Fools say to themselves, 20  “There is no God.” 21 

They sin and commit evil deeds; 22 

none of them does what is right. 23 

Psalms 75:1

Psalm 75 24 

For the music director; according to the al-tashcheth style; 25  a psalm of Asaph; a song.

75:1 We give thanks to you, O God! We give thanks!

You reveal your presence; 26 

people tell about your amazing deeds.

Psalms 84:1

Psalm 84 27 

For the music director; according to the gittith style; 28  written by the Korahites, a psalm.

84:1 How lovely is the place where you live, 29 

O Lord who rules over all! 30 


sn Psalm 6. The psalmist begs the Lord to withdraw his anger and spare his life. Having received a positive response to his prayer, the psalmist then confronts his enemies and describes how they retreat.

tn The meaning of the Hebrew term שְׁמִינִית (shÿminit, “sheminith”) is uncertain; perhaps it refers to a particular style of music. See 1 Chr 15:21.

sn The implication is that the psalmist has sinned, causing God to discipline him by bringing a life-threatening illness upon him (see vv. 2-7).

sn Psalm 8. In this hymn to the sovereign creator, the psalmist praises God’s majesty and marvels that God has given mankind dominion over the created order.

tn The precise meaning of the Hebrew term הגתית is uncertain; it probably refers to a musical style or type of instrument.

tn The plural form of the title emphasizes the Lord’s absolute sovereignty.

tn Or “awesome”; or “majestic.”

tn Heb “name,” which here stands metonymically for God’s reputation.

tc Heb “which, give, your majesty on the heavens.” The verb form תְּנָה (tÿnah; an imperative?) is corrupt. The form should be emended to a second masculine singular perfect (נָתַתָּה, natatah) or imperfect (תִתֵן, titen) form. The introductory אֲשֶׁר (’asher, “which”) can be taken as a relative pronoun (“you who”) or as a causal conjunction (“because”). One may literally translate, “you who [or “because you”] place your majesty upon the heavens.” For other uses of the phrase “place majesty upon” see Num 27:20 and 1 Chr 29:25.

10 sn Psalm 9. The psalmist, probably speaking on behalf of Israel or Judah, praises God for delivering him from hostile nations. He celebrates God’s sovereignty and justice, and calls on others to join him in boasting of God’s greatness. Many Hebrew mss and the ancient Greek version (LXX) combine Psalms 9 and 10 into a single psalm.

11 tc The meaning of the Hebrew term עַלְמוּת (’almut) is uncertain. Some mss divide the form into עַל מוּת (’al mut, “according to the death [of the son]”), while the LXX assumes a reading עֲלֻמוֹת עַל (’alalumot, “according to alumoth”). The phrase probably refers to a particular tune or musical style.

12 tn The cohortative forms in vv. 1-2 express the psalmist’s resolve to praise God publicly.

13 sn Psalm 22. The psalmist cries out to the Lord for deliverance from his dangerous enemies, who have surrounded him and threaten his life. Confident that the Lord will intervene, he then vows to thank the Lord publicly for his help and anticipates a time when all people will recognize the Lord’s greatness and worship him.

14 tn Heb “according to the doe of the dawn.” Apparently this refers to a particular musical tune or style.

15 sn From the psalmist’s perspective it seems that God has abandoned him, for he fails to answer his cry for help (vv. 1b-2).

16 tn Heb “far from my deliverance [are] the words of my groaning.” The Hebrew noun שְׁאָגָה (shÿagah) and its related verb שָׁאַג (shaag) are sometimes used of a lion’s roar, but they can also describe human groaning (see Job 3:24 and Pss 32:3 and 38:8.

17 sn Psalm 53. This psalm is very similar to Ps 14. The major difference comes in v. 5, which corresponds to, but differs quite a bit from, Ps 14:5-6, and in the use of the divine name. Ps 14 uses “the Lord” (יְהוָה, yÿhvah, “Yahweh”) in vv. 2a, 4, 6, and 7, while Ps 53 employs “God” (אֱלֹהִים, ’elohim) throughout, as one might expect in Pss 42-83, where the name “Yahweh” is relatively infrequent. The psalmist observes that the human race is morally corrupt. Evildoers oppress God’s people, but the psalmist is confident of God’s protection and anticipates a day when God will vindicate Israel.

18 tn The meaning of the Hebrew term מָחֲלַת (makhalat, “machalath”) is uncertain; perhaps it refers to a particular style of music, a tune title, or a musical instrument. The term also appears in the heading of Ps 88.

19 tn The meaning of the Hebrew term מַשְׂכִּיל (maskil) is uncertain. See the note on the phrase “well-written song” in the superscription of Ps 52.

20 tn Heb “a fool says in his heart.” The singular is used here in a collective or representative sense; the typical fool is envisioned.

21 sn There is no God. This statement is probably not a philosophical assertion that God does not exist, but rather a confident affirmation that he is unconcerned about how men live morally and ethically (see Ps 10:4, 11).

22 tn Heb “they act corruptly, they do evil [with] injustice.” Ps 14:1 has עֲלִילָה (’alilah, “a deed”) instead of עָוֶל (’aval, “injustice”). The verbs describe the typical behavior of the wicked. The subject of the plural verbs is “sons of man” (v. 2). The entire human race is characterized by sinful behavior. This practical atheism – living as if there is no God who will hold them accountable for their actions – makes them fools, for one of the earmarks of folly is to fail to anticipate the long range consequences of one’s behavior.

23 tn Heb “there is none that does good.”

24 sn Psalm 75. The psalmist celebrates God’s just rule, which guarantees that the godly will be vindicated and the wicked destroyed.

25 tn Heb “do not destroy.” Perhaps this refers to a particular style of music, a tune title, or a musical instrument. These words also appear in the superscription to Pss 57-59.

26 tn Heb “and near [is] your name.”

27 sn Psalm 84. The psalmist expresses his desire to be in God’s presence in the Jerusalem temple, for the Lord is the protector of his people.

28 tn The precise meaning of the Hebrew term הַגִּתִּית (haggittit) is uncertain; it probably refers to a musical style or instrument.

29 tn Or “your dwelling place[s].” The plural form of the noun may indicate degree or quality; this is the Lord’s special dwelling place (see Pss 43:3; 46:4; 132:5, 7).

30 tn Traditionally, “Lord of hosts.” The title draws attention to God’s sovereign position (see Ps 69:6).